Since the majority of post mixing is done in Pro Tools, having a secondary rig dedicated to stems saves time creating the final deliverables for the dub stage.
Film scoringĬomposers for film often keep a second rig to which they ‘print’ stems from their scoring DAW of choice, such Cubase, Logic Pro or Digital Performer. However, despite heavy competition from myriad native DAWs in the market, Pro Tools continues to be a mainstay in a few niches within the audio industry. However, as computers got more capable, the need for hardware accelerated workflows has all but diminished for most users. While users had to pay a premium to be in the ecosystem, the tradeoff was stable, ultra-low latency performance with track counts that were simply not possible with native systems like Logic Pro, Cubase, et al.
0 kommentar(er)
